Favorite TV Characters of 2018

I briefly flirted with the idea of writing a piece on my favorite TV shows of 2018, but decided that was boring. Later, I decided that it might be fun to approach the topic through a certain filter, like my favorite TV characters in 2018.

What makes a good TV character? I’m not sure it is any one thing. Sometimes it is the appearance of an actress who is past her popular prime and is carving out new creative space for herself in a way different than before. Sometimes they are so far removed from the bland conventionally attractive faces we so often see. Some characters retain their interesting edges, not having everything sanded smooth. Sometimes they play against type, sometimes they are the vulgar jester who pokes holes in the pretense of a main character.

There’s something refreshing about these characters, you look forward to their appearance in a scene. There’s an X-factor quality, you just can’t take your eyes off of them.

Point is, there isn’t any one trait that defines a great TV character (although, in my case I do tend to be drawn towards the supporting cast).

In no particular order, here are my favorite TV characters from TV shows I watched in 2018.

Continue reading “Favorite TV Characters of 2018”

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Eclectic Mayhem three: tables do turn and labels do burn

51v9inwmjllThe Way We Came In by Kelby Losack

The Way We Came In takes an old framework: low level criminals, trying to survive, pull a job, things go sideways, and juices it with energy, style, and an easily recognizable voice.

At 63 pages, this is a short work.  I view it as partly a kind of proof of concept book. Losack is here making his mark and he’s got something to say and something to contribute. And partly, a transitional work as Losack moves towards his next stage. Frankly, I can’t wait to see what comes next.

Bottom line is that this is an interesting book and The Way We Came In is crime fiction for the next generation.

 

the seaThe Sea Dreams It is the Sky by John Hornor Jacobs

I won’t sit here and tell you that I’ve read every book by John Hornor Jacobs. I’ve been a fan since his Southern Gods came out and I know I still have a couple of titles to catch up on. I only mention this to say that I’m no expert on his growth as an author but I am certainly a fan.

Yet, I was surprised when I read The Sea Dreams It Is the Sky. The writing, often at a sentence level, is clear and beautiful.

The sense of place is so strong that you immediately feel the setting and surroundings that these characters inhabit. This is coupled with a sense of longing and wanting to return home that oozes from the characters. It makes for a heady mix. I do not know what it is to feel a part of a diaspora, but some of what was captured here was a feeling of being unmoored from everything and having a part of yourself missing with nothing being able to fill the void. This is a book that beautifully hurts.

This is also a story of subtle (at first) cosmic horror, war torn countries, refugees, South American countries and their politics.

If you haven’t read John Hornor Jacobs, you really need to fix that.

 

cosbyMy Darkest Prayer by S.A. Cosby

Nathan Waymaker, the main character in Shawn Cosby’s My Darkest Prayer, is a character type that, quite frankly, isn’t really represented as much (and too well) in crime fiction. If at all.

Rural crime fiction under serves the African American population that live in rural areas, especially in the south. Dave Robicheaux has some acquaintances in the black neighborhoods but those characters aren’t given agency. Hap & Leonard show these characters as well, but the entire book series is told in first person from Hap’s perspective. These are just two examples, and, let me be clear, I enjoy both of these series and authors. It isn’t about that, it’s about a space where black authors from more rural areas, can create black rural characters and their perspectives. Rural noir, as much as it is an established story type, isn’t always that space. But it should be. It can be. And that is partly why this is an important book. There is a perspective here that has been absent, but isn’t any longer. And Cosby is carving that space out for himself.

That’s not to say that this book is perfect. It isn’t. For example, it suffers from some wish fulfillment fantasies by protagonist proxy that are common  sometimes in the genre. These aren’t weaknesses though, but things that I expect will be outgrown as Cosby grows as a writer. But they are worth mentioning.

Enough of that, this book hums. It moves a long at a quick pace, and Nathan Waymaker is a great tough guy character unlike others we’ve seen in the genre.

Shawn Cosby is a welcome addition to the genre and I can’t wait to see where he goes from here.

Favorite books of 2018

“What does that mean? Whatever you want it to mean. Are these movies “the best”? Are they our favorites? Are they “movies we got to see before the deadline”? In my case, it’s some combination of all three — but I’m really quite happy with the aggregate results.” — Jim Emerson

This year’s end of year piece is bigger than previous ones I’ve written. 2018 was my biggest reading year in a long time. My job duties changed and I am spending more time driving, so I decided to make the most of it and started listening to audiobooks. By far, my greatest consumption was audiobooks. Because of the higher number I decided that I would err on the side of robustness for my end of year round up.

The form I eventually settled was: Book of the Year (on because there was one), top reads of the year (not limited by release year), and finally a longer list of notable reads (2018 releases, re-reads, older releases, graphic novels, and non-fiction).

Book of the year: Indian Horse by Richard Wagamese – On the surface, Indian Horse is about hockey and the Indian Residential School system in Canada, but it encompasses so much more: trauma, loss of culture, loss of identity, growing, and the long hard path to righting your ship when so many forces were hell-bent on sinking it. It’s told in an intimate, confessional way that draws you into the narrative, deeply investing the reader into the story of Saul Indian Horse.

Top 10 read of 2018

Animals Strike Curious Poses by Elena Passarello – This fantastic essay collection uses the form of a bestiary and well known animals as a starting point to explore various topics. It is witty, insightful, and entertaining as hell. If you ever have  chance to hear/see the author perform the final essay, do so (Koko the gorilla using her limited vocabulary to tell the infamous joke, The Aristocrats).

Brother Anhia Ahlborn – Brother is sharply told, has characters that will evoke strong feelings, some you will support, some you will loathe. By the time you suspect where the story is heading it is too late, you are strapped in for the ride. And as bad as you think it will get, it winds up being worse.

The Cabin at the End of the World by Paul Tremblay – Potent mix of home invasion story and end of the world story. Probably the tensest book I read all year.

Cockblock by CV Hunt – Cockblock is a fresh take on the zombie story, one for the Me Too era. It also acts as a critique on the pervasiveness of technology and how quickly information can spread. The world created here is a patriarchal system cranked up to 11 with women leading the larger resistance that must take place to stop the President. It veers from the horrific to the humorous while maintaining a relentless drive forward.

The Fifth Season by NK Jemison – NK Jemison won the Hugo award in 2018 for The Stone Sky, the third book in the Broken Earth series. Her consecutive wins  courted some backlash from those against a more inclusive genre. This seemed to be the perfect time to read one of her books, so I went to the library and grabbed a copy of The Fifth Season. The Fifth is a sophisticated book that demands the readers attention. You start off in the deep end of a of a new world and Jemison masterfully doles out information and developments as needed to control how the world expands and opens up and succeeds in keeping the reader hooked.

The Last Cowboys by John Branch – An insightful book about a multi-generational ranching family increasingly relying on a multi-generational dominance in the sport of rodeo. This is a fascinating peek into a world that is shrinking with time.

Sisyphean by Dempow Torishima – The most original piece of fiction I read all year. There is an astounding amount of imagination on display here.

Spy of the First Person by Sam Shepard – A fractured narrative about a dying man, written by a dying man, each fracture is a crystalline moment that provides yet another fleeting glimpse of the themes that Sam Shepard grappled with. No conclusions are reached at the end of a life examined. We wouldn’t have Sam Shepard’s final book any other way.

The Stars Are Legion by Kameron Hurley – I was a big fan of Hurley’s God’s War from a few years ago and I look forward to each new book she writes. This one is from last year.

There There by Tommy Orange – Tommy Orange takes a braided approach to give the reader a cross section of modern Native American life in America, specifically in Oakland California. And it ain’t always pretty. Sometimes it is messy and sometimes it is raw. But it will always be real.

Notable Books by Category

Notable 2018 ReleasesThe Lamb Will Slaughter the Lion by Margaret Killjoy, Space Opera by Catherynne Valente, Green Sun by Kent Anderson, Sunburn by Laura Lippman, The Line That Held Us by David Joy, Where the Bullets Fly by Terrance McCauley, Coyote Songs by Gabino Iglesias, Lost Films anthology, Pull & Pray by Angel Luis Colon

Notable re-readsSadie When She Died by Ed McBain, The Postman Always Rings Twice by James M Cain, Shane by Jack Schaefer, Lew Griffin series by James Sallis, Fat City by Leonard Gardner, Geek Love by Katherine Dunn, Warlock by Oakley Hall, A River Runs Through It by Norman McLean

Notable older releasesThe Dead Mountaineer’s Inn by Boris and Arkady Strugatsky, The Rider by Tim Krabbe, Death Wish by Brian Garfield, The Day the Cowboys Quit by Elmer Kelton, Certain Dark Things by Sylvia Moreno-Garcia, My Best Friend’s Exorcism by Grady Hendrix

Notable Graphic NovelsTetris by Box Brown, Paper Girls by Brian Vaughan and Cliff Chiang, Saga by Brian Vaughn and Fiona Staples, The Comic Book Story of Professional Wrestling by Aubrey Sitterson and Chris Moreno, Cousin Joseph by Jules Feiffer

Notable Non-fictionKillers of the Flower Moon by David Grann, I’ll Be Gone in the Dark by Michelle McNamara, The Soul of an Octopus by Sy Montgomery, Lady Killers by Tori Telfer

Eclectic Mayhem 2: The Native Flu

coyoteCoyote Songs by Gabino Iglesias

On a map it’s easy to look at a line and call it a border. Down on the ground though, borders are amorphous spaces where people and things blend and mingle and aren’t always so clear cut. Within that blending, magic happens. That’s one reason why walls suck. Coyote Songs takes a mosaic approach to showing us some of the stories on the border. Stories with heart that have some genuinely awesome moments and some genuinely moving moments.

Coyote Songs at times occupies some of the same limnal space as “The Cowboy Bible” by Carlos Velázquez and “The Kidnapped Space” by B Traven. Which, to be clear, isn’t to suggest that Coyote Songs is derivative in any way, but only that this mosaic novel is itself, one tile of a larger mosaic of Border fiction.

brotherBrother by Ania Ahlborn

The great writer Derek Raymond, influenced by classic 20th Century American hardboiled crime fiction wrote of the black novel. He said, in part, that, “The black novel…describes men and women whom circumstances have pushed too far, people whom existence has bent and deformed. It deals with the question of turning a small frightened battle with oneself into a much greater struggle — the universal human struggle against the general contract, whose terms are unfulfillable, and where defeat is certain.” The black novel is similar to noir.

Sometimes the best noirs are what I call accidental noirs. Meaning, the author didn’t necessarily set out to write a noir story, but one emerged out of the darkness. I’m often wary of noir used as a descriptor or marketing term. If an author or the marketing surrounding a story categorize it as noir, I’m skeptical. But those accidental noirs, the venture out into the darkness? Those are special. Brother isn’t, strictly speaking, a noir. But it is a black novel and any basement noir crazies out there should check it out.

Brother is sharply told, has characters that will evoke strong feelings, some you will support, some you will loathe. By the time you suspect where the story is heading it is too late, you are strapped in for the ride. And as bad as you think it will get, it winds up being worse.

lineThe Line That Held Us by David Joy

The Line That Held Us got me thinking about the Lindenmuth men in my own family. My great-grandfather, Old Heck, was a trapper in the mountains of Pennsylvania. He would spend months at a time out trapping, come back to town to sell his pelts, drop off some money to my great-grandmother (presumably), and head back out. My grandfather had a large nose, so people around town started calling him Old Hook. He was an avid and life long hunter. My grandfather took my Dad hunting when he was a boy. He sighted a deer and, in that moment, realized he didn’t want to shoot it. He also realized that he couldn’t tell grandfather this so, in an elegant solution, shot the ground off to the side of the deer, scaring it. You see, he realized that the most important thing for him to do, in the moment, was to pull the trigger. It was better to pull the trigger and miss then to not pull the trigger at all. And I have never been hunting (but I have no problem with it, to be clear).

Over the years this progression has been jokingly called both the evolution of man and the de-evolution of man. While it makes for a good punch line, it sacrifices accuracy. If one is feeling generous, they could place the Lindenmuth men along a kind of continuum that might represent the wild on one side and something like civilized on the other.

The three main male characters in The Line That Held Us fall at different places along a similar continuum. Dwayne is wild and not fit for town living. He follows more primal ways and cuts right through the often unspoken norms that bind a society. Calvin is a guy who lives and works and succeeds fully within the bounds of society. He has a job, a woman that loves him, and goals and things he wants to accomplish. In a way that most of us understand, he has the most to lose. The man that connects them is Darl, who has a foot in each world. He wants to spend as much time as possible out in the woods, hunting. But he needs his connections to those in his small circle of family and friends. His presence in each world recharges his battery for his presence in the other.

The men on this continuum will clash and the outcomes won’t be neat. How they clash and the messiness that ensues is for the reader to find out.

8193+a8LxALIndian Horse by Richard Wagamese

On the surface, Indian Horse is about hockey and the Indian Residential School system in Canada, but it encompasses so much more: trauma, loss of culture, loss of identity, growing, and the long hard path to righting your ship when so many forces were hell-bent on sinking it. It’s told in an intimate, confessional way that draws you into the narrative, deeply investing the reader into the story of Saul Indian Horse.

Richard Wagamese died in 2017 and I’m sorry it took this long to read him, I’m now a fan and can’t wait to read his other books. He has said on numerous occasions that Indian Horse, originally, was intended to be a “Shoeless Joe does hockey” novel. I have no doubt that Kinsella’s novel was the starting point and structure and inspiration for Indian Horse but it is more akin to Norman Maclean’s A River Runs Through It, especially in the sections of the book that describe hockey and everything that it means and is capable of. But also in the way the it deals with the helplessness of wanting to help someone but not being able to or knowing how.

Upon finishing Indian Horse I had the rare feeling of wanting to immediately read it again. And I’m sure I will again, soon.

Side note: The hilarious and profane Canadian TV show Letterkenny has a running joke about the Native hockey teams. In the world of the show, the Native teams are so tough and so feared that when teams have to play them, some players are inevitably sick and can’t play those games. Those players that call out are said to have “the native flu”. After reading Indian Horse, and its representation of how the Native players learn the game, and the conditions they play under, especially when compared to their white counterparts, it’s easy to see how that reputation can develop.

Indian Horse was made into a movie and released earlier in 2018. I look forward to checking it out when it becomes available.

Eclectic Mayhem – Halloween Horror Edition

I spent October reading horror. Here’s a couple of quick take reviews.

Cockblock by CV Hunt (Grindhouse Press) – I’ve been a fan of CV Hunt for a couple of years now. I missed it back in June when it first dropped but scooped it up with the quickness when I was prepping my reading list. The President is delivering a speech across all technologies that turns men to mindless rapists. The only way to stop them is a shot to the balls. Cockblock is a fresh take on the zombie story, one for the Me Too era. It also acts as a critique on the pervasiveness of technology and how quickly information can spread. The world created here is a patriarchal system cranked up to 11 with women leading the larger resistance that must take place to stop the President. It veers from the horrific to the humorous while maintaining a relentless drive forward. This is a very zeitgeisty novel without being overly obvious. Highly Recommended.

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Horrorstor by Grady Hendrix (Quirk Books) / My Best Friend’s Exorcism by Grady Hendrix (Quirk Books): Grady Hendrix, with these books, writes what I’ll call horror with a light touch. They largely maintain a sense of fun, even through moments of genuine horror. There is nostalgia for the 70s/80s horror boom (an era we know Hendrix likes) without feeling like regurgitations or reproductions. Horrorstor is a haunted house story where the “house” in question is an Ikea knockoff store called Orsk (included are product descriptions that get increasingly more horrific). My Best Friend’s Exorcism seasons in some 80s nostalgia (never over the top) and brick by brick builds the great relationship between the two girls, building the the titular exorcism that will test them.

The first thing that needs to be said is that the physical versions of these books are gorgeous and are worth owning. Horrorstor is designed to look like, in part,  a store catalog. The paperback version of My Best Friend’s Exorcism looks like an 80s VHS tape.

It’s almost the kind of think you hate to say but, these two books might be a good fit for folks who say they don’t really like horror. Both Highly Recommended (though I liked My Best Friend a bit more).

 

 

The Last Safe Place by Rob Hart – Hey, remember that time Rob Hart, author of the successful Ash McKenna series, wrote a zombie novella? Wait, what? It’s out of print now but he did. In The Last Safe Place Rob Hart places his zombie apocalypse survivors on Governor’s Island in New York. They have cobbled together a surviving, but not necessarily thriving, community. Then shit goes wrong, as it always must. Clocking in at a little over 100 pages, it is the perfect length for Hart to get in, establish some characters and their relationships and dynamics then quickly jump to a couple of zombie action sequences. It’s lean, mean, and moves quick, exactly the way you want a story like this to be. Recommended

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Lost Films edited by Max Booth III and Lori Michelle (Perpetual Motion Machine Publishing) – One of the things that I appreciate about this anthology, and what the fine folks at PMMP are doing, is that it can, in no way, be considered run of the mill. It’s unlikely they will ever publish an anthology with some general theme, like Haunted Houses. With them you get anthologies about haunted films, haunted sounds, or pizza horror. And that original starting point pushes the authors out of their comfort zones some, with some strong fiction as a result. Recommended.

Lost-Films-cover

 

 

 

Interview with Terrence McCauley

Bullets.jpgBrian Lindenmuth: Why did you decide to write a western?

Terrence McCauley: I decided to write a western because I had always been a fan of the genre. I grew up watching westerns with my dad and, later in life, began to enjoy reading them as well. A lot of writers I admire, including Elmore Leonard and Richard Matheson, wrote westerns and I wanted to give it a shot, too. It continues to be a great experience.

You’ve now worked in two separate genres. What were those experiences like? Any notable differences? How was Bouchercon different from the western convention you went to?

I’ve actually written in three separate genres. Crime fiction (my 1930s books PROHIBITION, SLOW BURN and THE FAIRFAX INCIDENT) and my University Series (SYMPATHY FOR THE DEVIL, A MURDER OF CROWS, A CONSPIRACY OF RAVENS). Westerns are different in that a writer doesn’t have modern conveniences to rely upon to move the plot along. Even in my 1930s novels, the telephone, radio and automobile were in use at that time. Not so much so in westerns set in the late 1880s. Distance and a lack of technology play an important role in the stories which, in my opinion, allows for a rich story-telling environment.

Bouchercon is always a great experience and an opportunity to see some friends I haven’t seen in a while. The Western Writers of America convention is much smaller, but every bit as impressive. The amount of scholarship in that community is absolutely incredible. People tend to think of westerns as just shoot ’em ups with cowboys and Indians and bank robbers. One glimpse at the various categories will prove that it’s a very diverse genre. I had the good fortune to make a lot of new friends at this year’s convention and I look forward to going next year as well.

There is an idea that westerns are just crime fiction in a historical setting, do you believe this to be true?

I believe that’s partially true. I also believe that the west is broad enough to encompass quite a few genres. Just look at the amount of westerns for sale on Amazon and you’ll see a good number of them are romances. One could also write an epic novel about the plight and struggles of various groups in the settlement of the west and never have a shot fired or a murder committed if they crafted the story properly. Historical fiction, crime novels, noir, romance and classic stories all have a home in western fiction. And virtually every type of non-fiction is covered under western history and current western affairs as well.

What is your favorite western movie?

My favorite is THE SEARCHERS. It’s an imperfect movie that hasn’t held up as well for me over the years, but I still consider it my favorite. The iconic performances and scenery. The open bigotry of Ethan Edwards, the clashing of cultures and the memorable characters all serve to make it my favorite western.

What is your favorite western novel?

West Texas Kill by Johnny Boggs. He writes a classic western with a modern take that appeals to all audiences. It has some great characters and fantastic action pieces that make it my current favorite. However, I read quite a few books in the genre, so my favorites do change from time to time.

Who is your favorite western writer?

I’ve got a few. Peter Branvoldt, Johnny Boggs, Larry Sweazy, Charles West.

What recent release western novels are worth checking out?

Peter Branvoldt’s Stagecoach to Purgatory, A Bad Place to Die by Easy Jackson, Copper Sky by Milana Marsenich and The Promise Bride by Gina Welborn and Becca Whitham.

What do you most value in the fiction you love?

I value the ability to lose myself in another world. I love reading new takes on old genres and learning something new about myself in return.

Who is your favorite violent western character?

Josey Wales is a tough character to beat. The movie was fantastic and one of my all time favorites.

Is the western genre dead, dying, in a state of disrepair, or doing just fine?

I’d prefer to say it’s in a state of transition. If you look at the book stores that carry westerns, you’ll see no shortage of new releases every month. And if you look online, the selection is even greater, albeit the quality is sometimes a bit suspect. Although a majority of the western e-books selling for $0.99 are bargains, many others should have gone through a more rigorous editing process.

Then/Now/Next: what book did you read last, what book are you reading now, and what book will you read next? (any genre)

Hot Springs by Stephen Hunter / Law at Randado by Elmore Leonard / Hombre by Elmore Leonard.

What was the last great western that you consumed (watched or read)?

Bone Tomahawk was the last great western I consumed. I desperately wanted to like Hostiles, but found it sullen and smug. Bone Tomahawk showed everyone at their rawest form and was a special movie, although not always pleasant to watch.

***

Terrence P. McCauley is an award-winning writer of crime fiction and thrillers. He is the author of the James Hicks series, which include:  THE FAIRFAX INCIDENT, , A CONSPIRACY OF RAVENS, A MURDER OF CROWS and SYMPATHY FOR THE DEVIL, published by Polis Books. He has also written two award-winning novels set in 1930 New York City – PROHIBITION and SLOW BURN. 

In September 2018, Kensington Books published Terrence’s first western WHERE THE BULLETS FLY as part of his new Sheriff Aaron Mackey series. The second entry in the series – DARK TERRITORY – will be published in 2019.

Terrence’s World War I novella – THE DEVIL DOGS OF BELLEAU WOOD – won the Silver Medal for Historical Fiction from the Military Writers Society of America. Proceeds from sales go directly to benefit the Semper Fi Fund.

Tattoo Tuesday with Nik Korpon – interview

QueenOfTheStruggle_144dpiBrian Lindenmuth: What was the first tattoo you ever got and why did you decide to get it?

Nik Korpon: First one I ever got was the line-drawing of a guardian angel on the inside of my left bicep. I’ve always believed in angels and demons and ghosts but I had this weird experience when I was 18. I got into a fender-bender with this women and was really angry, only to realize 10 seconds later that if I hadn’t bumped into her, I would’ve gotten t-boned by another car and likely died. Her insurance info didn’t go through when I filed the report so I tried to track her down, but she didn’t exist (according to what she’d given me). I thought she was an angel and that feeling stuck for a long time, though that might’ve just been teenage neurosis. She probably just didn’t want her insurance to go up because of some dumb kid.

What was that first experience like?

Not bad. I think I was awkward because I didn’t know what you were supposed to do when getting tattooed.

Tattoos can capture a memory, or are representative of a feeling or a person. What is your most meaningful tattoo, and why?

I have a big lion head that goes across my chest and down past my sternum. I got it for my son based on a book we read when he was little, about a daddy lion and his cub, and it’s the most meaningful one that I have. I also really like the Hitchcock stuff I have on my leg.

What was your last tattoo?

Last finished tattoo was probably a banger on my leg that we all gave each other when a friend from out of town came back to visit the shop. I’m still getting the lion finished, seven years later, because I don’t have any free time.

When will you get your next one?

I was hoping to get my ribs covered up with a big panther and shark, but I think it’ll have to wait till my kids get a bit older and I have more free time. I live an hour from my old shop and (unfortunately) don’t get down there often. Or anywhere, for that matter.

Any tattoos you regret?

Not any that I explicitly regret, but ones that I wouldn’t do the same. But they’re all representative of some part of my life.

What do your tattoos say about you?

They’re as random and scattered as I am. They’re almost all traditional, but some have a ton of significance and some were just slow days at the shop and “I’m bored. Y’wanna put something on me?”

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“I forgot to mention this tattoo, but I love it. It’s the cricket bat from Shaun of the Dead, which is one of my favorite movies ever and, to my mind, one of the most perfect screenplays ever written.”

How do others react to your tattoos?

I had both sleeves about fifteen years ago and I’d get tons of looks. This was before Miami Ink and before tattoos got super popular. All my friends and roommates were artists so within my group it wasn’t a big deal (they were all more heavily tattooed than I was) but other people would look at me sideways, sometimes cross the street. I got lots of scared looks when I was traveling through Eastern Europe because it was mostly Russian mafias and whatnot that were heavily tattooed. Now it’s no big deal.

What do tattoos bring to our culture?

Ideally, they tell stories visually. That’s what always attracted me, especially with Japanese tattoos. They’re works of art and they change the viewer to understand what they mean, to really study them. I’m out of the loop now (I left the shop four years ago) but in the five years I was there, we saw a huge shift toward Instagram tattoos—like those dandelions that dissolve into birds and arrow line-drawings—and lots of text. Stuff that doesn’t require any thought, that’s just immediately understandable. It’s kind of a bummer, but it kept the lights on so…

Do you have a go to tattoo person/shop? Give them a shout-out!

I worked at Saints and Sinners in Baltimore for five years and those dudes make incredible tattoos. Most of mine were done by Christian Beckman (who is the namesake for the character in Stay God, if anyone’s read that). Anyone in Baltimore should go get tattooed there.

***

Bio: Nik Korpon is the author of The Rebellion’s Last Traitor, Queen of the Struggle, and The Soul Standard, among others. He lives in Baltimore.